أنجليزي إلى عربي الفن/الأدب السينما، الأفلام، التلفزيون، الدراما الهندسة المعمارية وعلاقتها بالسينما

As the previous sections imply, the basis for such a negotiation will be, as Shiel and
Fitzmaurice describe, a certain “spatial turn.” Indeed, if the aim of this project is to
further our understandings of cinematic space, that aspiration is allowed for—and even,
perhaps, demanded by—the ways in which space operates as a crucial hinge on which the
films and theories to be discussed turn. In other words, the space in which we will lodge
our analysis is opened by a common concern among the films, filmmakers, and theorists
listed above (along with others) with space itself. In this way, then, we might say that part
of our goal is to understand the ways in which the above listed films stand as testing
grounds for, reflections on, and even negations of the spatial theories of De Certeau,
Gilles Deleuze, and other theorists who will be invoked in our discussion.